Sunday, April 6, 2008

World War Z


I have fretted long and hard about what my choice for book club would be, when that time finally came. I wanted both to pick a piece of literature that would be surprising and that most others in the club would not have considered reading, but I also wanted it to be good. After all, I have spent the last few months reading the likes of The Kite Runner and Water for Elephants. If I can put up with that kind of sissy-pants literature (I am of course, joking. Partially.) then I wanted to make others endure something they would not normally consider. So I cast around for a while, and eventually landed on this little book. The deal was sealed when, in a strange coincidence, the day I started to read this book, the author turned out to be reading in town. So I went to hear him, and decided this book was fate. He signed my copy and added "survive book club".

World War Z: An Oral History of the Zombie War is a hell of a fun book. Though not without moments of humor, it takes itself completely seriously. It is laid out as other "oral histories" are, with short, "man on the street" style interviews, as well as interviews with those that experienced certain unique aspects of the war. Humans have, at least for now, vanquished the zombie threat, though there are still zombies out there and no one knows if the plague might start again. Through the eyes of the participants we see the earliest outbreaks, the chaos of the Great Panic, fighting the hordes to a stalemate, the tide slowly turn, and finally the re-emergence of humanity. WWZ is full of intimate detail, some touching or inspiring; some brutal, remorseful, or bittersweet. There is a fair share of blood and guts--this is a horror novel, after all--but many of the snapshots are unexpectedly poignant.

Really though, the zombies in the story are only a stand in, a way to pique the interest of readers. It could be any kind of worldwide emergency, particularly disease, such as Avian Flu. The bulk of the story is showing lack of government planning and bureaucratic missteps. And it's impossible not to read and think of the inadquate disaster response to Katrina in the U.S., and other large scale catastrophes around the world. Also on this wavelength, there are some fairly clear allusions to modern political figures and to the war in Iraq. However, the novel is truly global in scope, and we spend time in a variety of countries besides the U.S. I was especially intrigued at the way the zombie war boosted the prestige of eastern nations, and helped to tip the balance of geopolitical power toward China and India, much like a major worldwide disaster might really do.

Criticisms I expect to have to deal with at book club: there are 40 or 50 different "voices" or characters in this book, most of them only getting a few pages to speak. As such, some voices will obviously be stronger than others. Also, we do not build up large amounts of attachment to a single character over the course of the book. I think Brooks did a great deal of research on what type of weapons the military might use to combat a zombie plague, and he spends quite a few pages detailing various sorts of tactics and specific weapons that could be used. To some degree, I lost interest in this topic. I felt that since he did the research, he felt like he had to use some of it, but honestly, I wasn't too in to learning about exactly how weapons systems work. Less would have been more. As someone who works in politics, as does most of my book club, some of the interviews with political figures were a little heavy handed.

One particular section I wanted to praise was the writing about zombies in the water. This was a very effective image for me and will have me thinking twice next time I'm swimming in a body of water after dark. And, of course, as with any story about zombies, during certain moments you have to ask yourself who the real monsters are. The zombies, grotesque as they are, have no choice in their actions. It is the humans that stab each other in the back and become their own worst enemies, willing to do anything to fellow survivors in order to gain their own advantage. Even in the last pages, as some survivors talk about the way the crisis brought people together, I had to wonder if they were already starting to gloss over the worst moments with familiar cliches. Do these sorts of crisis bring people together, or is that only the story we tell ourselves when it's all over, when we've done what we must to survive?

WWZ is a fast and interesting read. Obviously I think highly enough of it that I chose it to make my coworkers read. If you happen to be an interp coach reading this, you might seriously think about getting a copy; I think some very cool pieces could be cut from it, and I guarantee you'll be the only school in your area doing them.

3 comments:

Sheamus said...

I liked the books too; not sure what I make of Brad Pitt being cast in the upcoming film, which suggests to me a re-write is a likelihood to support his inevitably bigger role. I like Pitt, and he's made some great films, but Brooks' novel had the potential to be the first Oscar-winning zombie flick (what? It *could* happen!) and while Pitt is a strong indicator of a quality film, his presence might mean a bit of a shake-up in the foundations that make the original text work. We'll have to wait and see.

KH said...

>> The deal was sealed when, in a strange coincidence, the day I started to read this book, the author turned out to be reading in town. <<

What a lucky coincidence! I wonder how you found out about that? Someone extremely cool must have told you about that event.

In regards to the film version, at least J. Michael Straczynski is writing the script. He hasn't really done anything big but the tv shows of his that I've seen are pretty solid.

Also, just because Pitt's company is producing the film doesn't mean he'll be in it. I'll concede that it seems likely, but maybe he'll be too busy with the babies.

Freedom Toaster said...

Well, I agree that Pitt often makes some pretty good decisions in terms of the roles he accepts. And I don't really know anything about the film, but I think it probably will have to undergo some serious changes to work as a screenplay (i.e. it will have to have some characters that we follow for the duration of the story). So, to say the least, I'm interested in what might happen with the film. By the way--dirty job, you've got an entertaining blog! And sue doc, credit where credit is due, you let me know that Max Brooks was in town. Many thanks!